✅ Subham (2025) is a unique Telugu-language horror-comedy that blends supernatural elements with everyday humor and a touch of social satire. Produced by Samantha Ruth Prabhu’s Tralala Moving Pictures and directed by Praveen Kandregula, the film offers a fresh and quirky take on the genre. Released on May 9, 2025, it delves into a bizarre phenomenon connecting a popular daily soap opera with supernatural possessions, creating a narrative that is both eerie and amusing. With a cast of promising newcomers and strong technical contributions, “Subham” aims to entertain with its originality and an unapologetic sense of humor.

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7.8/10

Subham

Director: Praveen Kandregula

Writers: Vasanth Maringanti

Stars: Harshith Malgireddy, Srinivas Gavireddy, Charan Peri

Country: India

Genres: Horror, Comedy

Languages: Telugu

Overview: Set in the early 2000s, in the pre-internet days of coastal Bheemili, A group of married men band together to find solutions, after their wives get possessed while watching a cable TV soap opera...

TMDb: View on TMDb

Subham (2025) – Movie Overview & Analysis-BollyFlix

Movie Details 

• Full Name: Subham (2025)
• Language: Telugu
• Budget: Not Publicly Disclosed (Estimated to be moderate)
• Revenue: Approx. $18,502 (Worldwide, as of May 2025)
• Runtime: 125 Minutes (2 Hours 5 Minutes)
• Release Date: May 9, 2025 (Worldwide theatrical & subsequent OTT)
• Genres: Comedy, Horror
• Cast: Harshith Reddy, Shriya Kontham, Charan Peri, Gavireddy Srinivas, Shravani Lakshmi, Shalini Kondepudi, Vamshidhar Goud, Samantha Ruth Prabhu (Special Appearance)
• Directors: Praveen Kandregula
• Screenplay: Vasanth Maringanti
• Studios & Producers: Tralala Moving Pictures, Kanakavalli Talkies (Producers: Samantha Ruth Prabhu)
• Voice Cast: Not Applicable
• Animation & Style: Not Applicable

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Plot Summary

“Subham” is a unique horror-comedy set in the charming coastal town of Bheemili in the early 2000s. The story revolves around Srinivas (Harshith Reddy), a local cable TV operator, who has just married Sreevalli (Shriya Kontham). Their quiet domestic bliss takes a bizarre turn on their wedding night. At exactly 9 PM, while Sreevalli is engrossed in watching a popular daily soap opera called “Janma Janmala Bandham” (Bond of Lifetimes), she suddenly becomes possessed by a spirit. To Srinivas’s alarm, he soon discovers that his friends’ wives and other women across the town are also experiencing similar supernatural possessions, all synchronized with the airing of this particular TV serial. Confused and desperate for answers, Srinivas, along with his friends, embarks on a quest to unravel the mystery behind these strange occurrences. Their journey leads them to Maya Sri (Samantha Ruth Prabhu in a special appearance), a spiritual healer, who might hold the key to understanding and combating the supernatural force at play. The film skillfully blends elements of horror with situational comedy and satire, subtly commenting on the pervasive influence of television in households, particularly daily soaps. It’s a hilarious and often spooky ride as the characters try to break free from the mysterious grip of “Janma Janmala Bandham.”

Cast & Crew

“Subham” introduces a fresh lineup of talent, with newcomers taking on pivotal roles, complemented by a significant special appearance. Harshith Reddy delivers a commendable performance as Srinivas, embodying the confusion and determination of an ordinary man caught in extraordinary circumstances. His comedic timing and emotional range are effective in carrying the film. Shriya Kontham as Sreevalli is equally impressive, especially in her portrayal of the possessed state, showcasing versatility. The supporting cast, including Charan Peri, Gavireddy Srinivas, Shravani Lakshmi, and Shalini Kondepudi, provide solid comedic and emotional support, contributing significantly to the film’s ensemble dynamic. A notable aspect is the special appearance by superstar Samantha Ruth Prabhu as Maya Sri, a spiritual healer. Her presence adds star power and an impactful twist to the narrative, though her screen time is limited. Director Praveen Kandregula, along with screenwriter Vasanth Maringanti, has managed to extract engaging performances from his cast, making their characters relatable and the bizarre situations believable within the film’s genre. The collective efforts of the cast and crew bring to life a quirky and entertaining horror-comedy.

Critical & Audience Response

Upon its release, “Subham (2025)” garnered generally positive reviews from critics, particularly for its unique concept and effective blend of horror and comedy. Reviewers praised director Praveen Kandregula’s fresh vision and the way he handled a genre-bending narrative. The performances of the young lead cast, especially Harshith Reddy and Shriya Kontham, were well-received for their natural acting and comedic timing. The film was applauded for its original screenplay, which managed to infuse satire on daily soaps into a supernatural plot. However, some criticisms included occasional pacing issues, particularly in the beginning, and moments where the horror elements felt slightly exaggerated. Despite these minor flaws, the film was largely seen as a refreshing change from conventional Telugu cinema. Audience response was enthusiastic, with many calling it a “wonderfully weird” and “must-watch” horror-comedy. Its family-friendly approach to the genre resonated well, leading to positive word-of-mouth. Samantha Ruth Prabhu’s cameo also generated considerable buzz and positive reactions. Overall, “Subham” was considered a successful and entertaining experiment in the horror-comedy space.

Direction & Cinematography

Director Praveen Kandregula, known for his unique storytelling, brings a distinctive vision to “Subham.” His direction is characterized by a grounded approach to a fantastical premise, making the bizarre situations feel relatable and humorous. Kandregula expertly balances the horror and comedy elements, ensuring that neither overshadows the other. He maintains a consistent tone throughout the film, allowing the quirky humor to organically emerge from the characters’ reactions to the supernatural occurrences. His attention to micro-details, especially in recreating the early 2000s setting and subtly satirizing daily TV serials, is commendable. For cinematography, Mridul Sujit Sen delivers compelling visuals that perfectly complement the film’s tone. Sen’s camera work is effective in capturing both the mundane charm of the small town and the eerie atmosphere of the horror sequences. The lighting and framing are well-executed, contributing to the film’s immersive quality. The visuals manage to create a sense of nostalgia for the early 2000s while also maintaining a crisp and engaging aesthetic. Both the direction and cinematography work in tandem to create a film that is visually appealing, narratively engaging, and tonally consistent, highlighting the director’s skillful control over the genre.

Music & Background Score

The music for “Subham” is a collaborative effort, with Vivek Sagar composing the background score and Shor Police (Clinton Cerejo & Bianca Gomes) handling the songs. Vivek Sagar’s background score is particularly noteworthy, adeptly shifting between comedic, eerie, and emotional tones to enhance the narrative. His compositions underscore the film’s quirky humor during lighthearted moments and effectively build suspense during the horror sequences. The score plays a crucial role in maintaining the film’s unique genre blend. Shor Police’s songs, such as “Vellipove” and “Jaagratha,” contribute to the film’s overall auditory experience. These tracks are designed to fit the narrative’s specific emotional or thematic requirements rather than being standalone commercial hits. The music in “Subham” is not overtly flashy but serves its purpose in elevating the storytelling. The use of various sounds, including a distinctive clock-chime motif, adds to the film’s unique atmosphere, ensuring that the sound design is as integral to the experience as the visuals and performances.

Visuals & Special Effects

“Subham” relies on a more practical and atmospheric approach to its visuals rather than extensive CGI-driven special effects. The film’s strength lies in its authentic recreation of the early 2000s era in a small coastal town. The production design department meticulously crafts sets and props that transport the audience back in time, adding to the film’s charm and relatability. The visual effects, when employed for the horror elements, are subtle and serve to enhance the eerie atmosphere rather than creating overtly terrifying spectacles. This grounded approach ensures that the supernatural elements feel integrated into the realistic setting. The film’s visual appeal also comes from its effective use of lighting and color grading, which shift to distinguish between the comedic and horror segments. The cinematography captures the nuances of the characters’ expressions and reactions, which are crucial for a horror-comedy. Overall, the visuals and special effects in “Subham” are judiciously used to support the narrative and maintain its unique tone, focusing on evocative imagery and practical scares over grand digital wizardry.

Editing & Screenplay

The editing by Dharmendra Kakarala plays a critical role in maintaining the narrative flow of “Subham,” especially given its blend of comedy and horror. The cuts are generally smooth, ensuring that the transitions between comedic situations and supernatural scares are effective. While some initial pacing issues were noted, the editing largely helps in building the film’s unique atmosphere and keeping the audience engaged. The screenplay, penned by Vasanth Maringanti, is arguably one of the strongest elements of “Subham.” It presents a highly original and inventive concept—linking supernatural possessions to a daily soap opera—which is both humorous and intriguing. The script is well-structured, allowing for a gradual build-up of the mystery while interweaving comedic moments and genuine scares. The dialogues are witty and relatable, especially those reflecting everyday family dynamics and TV viewing habits. Maringanti’s screenplay also manages to subtly satirize the cultural impact of daily soaps, adding an intelligent layer to the horror-comedy. Despite a few minor stretches in the latter half, the screenplay largely holds together, providing a fresh and entertaining narrative that stands out in the genre.

Positives / What Works

“Subham” shines with its highly original and imaginative concept, which seamlessly blends horror and comedy through the unique premise of possessions linked to a TV serial. Director Praveen Kandregula’s fresh vision and skillful execution of the genre-bending narrative are major strengths. The natural and engaging performances from the lead cast, especially Harshith Reddy and Shriya Kontham, are commendable. The film’s atmospheric cinematography by Mridul Sujit Sen effectively captures both the charm and eeriness of the setting. The witty and satirical screenplay by Vasanth Maringanti adds layers of depth and humor, making it more than just a simple horror-comedy. The effective background score and the nostalgic recreation of the early 2000s also contribute significantly to the film’s overall positive impression.

Negatives / What Doesn’t Work

Despite its innovative premise, “Subham” does have a few areas where it could improve. Some critics pointed out that the pacing felt a bit slow in the initial segments, taking time to fully engage the audience with the main plot. While generally well-executed, there were moments where the horror elements felt slightly exaggerated or repetitive in the second half, potentially breaking the immersion for some viewers. The film’s low box office revenue suggests it didn’t find a wide theatrical audience, possibly due to a niche genre appeal or limited marketing for its initial theatrical run. While Samantha’s cameo was a highlight, the film’s reliance on relatively new faces for the main cast might have limited its initial pull for some mainstream audiences. Despite these points, the film’s unique concept and overall execution largely outweigh these minor critiques.

Final Verdict / Conclusion

“Subham” is a refreshing and distinctive Telugu horror-comedy that bravely ventures into an original premise. It’s a film that genuinely attempts to do something different within its genre, delivering both laughs and chills through its clever narrative about supernatural possessions linked to a daily soap. With Praveen Kandregula’s confident direction, a well-written screenplay by Vasanth Maringanti, and earnest performances from its young cast, the film largely succeeds in its ambitious endeavor. While it has minor pacing issues and occasional exaggerations in its horror, these are easily overshadowed by its originality, humor, and unique charm. “Subham” is a delightful and engaging watch that offers a fresh perspective on the horror-comedy genre, making it a recommended viewing for those looking for something out of the ordinary. It’s a testament to the potential of creative storytelling in regional cinema.

Movie Rating

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